I remember when I finished it, a client had just arrived in the studio. She reacted spontaneously to the piece. When I pointed out the bleeding, she was adamant that if at any time I decided to not do anything with the work, she would like it. She is the daughter of a renowned Quebec artist and I trust her eye.
Maybe my objectivity and resulting pleasure today in looking at this piece is similar to that which C. exhibited that day so long ago. Somehow the very slight mark of bleeding around one or two of the leaves seemed less important. Time has worked its magic if only in my head.
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